Book Review on Amazon by Grady Harp

Author Daniel A. Sheridan studied photojournalism and the history of photography at New York University and served as a darkroom technician at The Photography Workshop, as editor and photographer at Low-RANGE magazine, and as a drummer in the band The Immigrants.

TIM is his debut novel – and who better to write this book than Daniel?! For those unfamiliar, Timothy H. O’Sullivan (1840 – 1882) was a photographer widely known for his photographs of the US Civil War and the American West.

Bringing to our attention the special gifts of the often-overlooked Timothy H. O’Sullivan, the apprentice to the famous photographer Matthew Brady, this immensely entertaining novel recreates the mid-nineteenth century and an important overview of the history of photography.

The interaction between Tim and Brady is beautifully rendered, offering insights into the development from daguerreotype to photograph – or in Brady’s advice to Tim, ‘The war over photography... The French process versus the English process. We must choose our allies carefully and know our enemy. You see, we’ve been working with the daguerreotype process for these last ten years…’

By inserting his own progress in photography alongside Tim’s progress, Daniel makes this book ring true and even more accessible in honoring the art and history of photography. This is a fascinating and beautifully written book – one that deserves a very wide audience. Highly recommended. ❏

Tim — The Story of Timothy H. O'Sullivan as a Young Apprentice

"This book holds all the ingredients for a visually stunning and emotionally engaging film adaptation. It is a riveting journey that will leave audiences mesmerized and inspired by the enduring power of art and the human spirit."

Brad Christenson - Reviewer
Film Content & Creative Specialist | Kew Media

Tim: The Story of Timothy H. O'Sullivan as a Young Apprentice at Mathew Brady's Studio is an exceptional tale that skillfully transports readers back to a pivotal moment in America's history. The author, Daniel A. Sheridan, weaves a stunning narrative of youthful determination and the revolutionary technology of daguerreotypes that would shape the world.

The protagonist, young Tim, finds himself unexpectedly apprenticed to the legendary Mathew Brady, a renowned daguerreotypist with a studio on Broadway. This turn of events marks a dramatic shift from Tim's expected path as a carpenter, and it sets the stage for a captivating coming-of-age story. Through Sheridan's vivid prose, readers are immersed in historical New York, where the buzz of artistic ambition meets the spectacle of P.T. Barnum's American Museum.

Tim's journey unfolds with enthralling twists and turns, as he becomes an invaluable companion to Brady, proving his worth through cleverness and determination. The book's inclusion of photographic lore and technical details of daguerreotypes adds a layer of authenticity, making the story even more immersive. The encounters with iconic figures like P.T. Barnum and the enchanting Miss Jenny Lind add depth and excitement to Tim's exploration of the city's vibrant past.

Sheridan's descriptive prowess shines brightly, painting the scenes with the same depth and vividness as a photograph itself. His ability to breathe life into forgotten details of old New York creates a rich and immersive reading experience.

While the book is largely authentic in its portrayal of the era, a few editorial imperfections can be polished, but they do not detract from the overall brilliance of the story. The engaging plot may take a bit of time to fully take off, but once Tim finds his place at Brady's studio, the pace becomes gripping, carrying readers along on a fascinating adventure.

A remarkable aspect of "Tim" is the seamless blend of fiction and historical authenticity, inspired by the real-life experiences of the photographer Timothy H. O'Sullivan. Sheridan's masterful storytelling allows readers to lose themselves in a fictional history without feeling like they are reading a dry historical account. The result is a brilliant historical portrait that captivates and resonates with readers long after the final page.

In conclusion, "Tim: The Story of Timothy H. O'Sullivan as a Young Apprentice at Mathew Brady's Studio" is an extraordinary work of historical fiction. With its authentic setting, compelling characters, and seamless blending of real history and captivating storytelling, this book holds all the ingredients for a visually stunning and emotionally engaging film adaptation. It is a riveting journey that will leave audiences mesmerized and inspired by the enduring power of art and the human spirit. ❏

Brad Christenson - Reviewer
Film Content & Creative Specialist | Kew Media

OnlineBookClub.org review of "Tim" by Patty Allread

OnlineBookClub.org — ★★★★★

Set in 1850, Tim by Daniel A. Sheridan is the story of how Timothy O'Sullivan, a ten-year-old immigrant Irish boy living on Staten Island, began working for Mathew Brady in his daguerreotype studio in New York City. The daguerreotype was all the rage and was called "The New Art." Brady takes Tim under his wing and gives him odd jobs while teaching him how a daguerreotype portrait is created. Tim gets to know New York City and meets some colorful and famous people there, including P. T. Barnum, famed writers, poets, and others who come to the studio to have their portraits made.

What I loved the most was reading about Tim's day-to-day experiences in nineteenth-century New York City. Sheridan paints a lively picture of the era and the city and explains many of the things that were going on at that time. What might seem quaint now was written with a gritty reality as seen through the eyes of young Tim. Sheridan did a great deal of research not only about the now-famous Brady and O'Sullivan but also about the New York lifestyle in 1850. I have always subscribed to the saying, "I Love New York," and thoroughly appreciated this part of the book.



Reading Tim was a sublime experience. The undercurrent of an emerging art form, the growing inspiration of Timothy O'Sullivan, Mathew Brady, and Daniel Sheridan, and the feeling that I witnessed the emergence of this new era of art satisfied and inspired me. For these reasons, this book deserves 5 out of 5 stars. I should also mention that the book was excellently edited, with no errors that I could find. A small notation on the book cover indicates this is Sheridan's first book about O'Sullivan. If he writes a second one, I'll be eager to read it!

Readers interested in the daguerreotype method, photography, or the work of Mathew Brady and Timothy O'Sullivan will enjoy this book because it is not a dry history; it is history creatively brought to life by a skilled writer who researched his material well. Readers who love New York City and the period just before the Civil War will also like this book. Younger readers will find it inspirational to see how a young boy from a low-income family found a deep interest early in life that later became his passion. ❏

From The Author ~ The Photographs of Timothy H. O'Sullivan

I first learned about Timothy H. O'Sullivan while studying the history of photography at New York University in the spring of 1989. Professor Silver clicked back and forth in a slide show comparing O’Sullivan’s photograph, Ancient Ruins in the Cañon de Chelle, N.M., taken in 1873 with Ansel Adams’ view taken in 1942.

I became curious about this photographer who inspired Ansel Adams with his large-format, view camera. I then went to the Museum of Modern Art to view the photographs of O’Sullivan. At the time, I worked as a darkroom technician restoring old black and white photographs, while studying photojournalism at college.

New York University is an important place in the history of photography. This is where Brady's mentor, Samuel F.S.B. Morse, experimented with the new discovery he recently brought back from Paris — the Daguerreotype. His colleague, Dr. John William Draper, a chemistry professor, took one of the first known portraits with a camera on the rooftop of the university at Washington Square.

Little is known about O’Sullivan. As James D. Horan states in his biography, Timothy O’Sullivan: America’s Forgotten Photographer, “There were few clues, only his name, a four-line obituary...” Though we don’t know much about Tim. What remains are his photographs.

One day after class, I stood on the corner of Broadway and Tenth, the former location of one of Brady’s Studios. Looking at Grace Church, I thought about O'Sullivan and his photographs. Over to the right, down the street, is The Ritz where I saw The Replacements in 1986 perform songs from their album Tim. I then decided to write a book about O'Sullivan as a young apprentice at Mathew Brady's studio and the title would be Tim...

Daniel A. Sheridan